Guest Columnist

GLAAD Responds to Arrest of Suspected White Supremacists at Idaho Pride

June 15, 2022 by Guest Columnist

Idaho Pride: Arrest of White Supremacists

GLAAD, the world’s largest lesbian, gay, bisexual, transgender, and queer (LGBTQ) media advocacy organization, is responding to the arrest of 31 people accused of conspiracy to riot against a Pride event in Coeur d’Alene, Idaho.

Those arrested are reportedly affiliated with Patriot Front, described by the Southern Poverty Law Center as a white nationalist hate group, and are from states across the country including Virginia, Arkansas, South Dakota, Texas, Colorado, Oregon, Washington and Wyoming. The group was reportedly heading for Coeur d’Alene City Park, where the North Idaho Pride Alliance was hosting its Pride in the Park event yesterday.

Photos and videos show the suspects were in a moving truck, wearing hats, sunglasses, white full face masks, Patriot Front’s signature khaki pants and carrying riot shields.

GLAAD President and CEO Sarah Kate Ellis responded on Twitter, and here:
“Lawmakers and Governors like DeSantis and Abbott, along with their co-conspirators at Fox News, better pause today and recognize that their anti-LGBTQ rhetoric and the nearly 250 anti-LGBTQ bills introduced this year are responsible for this dangerous climate. Facebook, Twitter, YouTube, and social media platforms must also take responsibility and urgently stop fueling the hate and misinformation that inspire white supremacist groups like the Patriot Front. This group was stopped this weekend in Idaho before violence occurred thanks to the critical work of local authorities, but we might not be so lucky the next time one of the growing number of groups like this plan to swarm a LGBTQ location. Today as we mark the sixth remembrance of the 49 beautiful and innocent lives lost at the Pulse nightclub in Orlando, we have to stop the shameful anti-LGBTQ laws, misinformation, and rhetoric that make America unsafe for LGBTQ and other marginalized communities. Corporations, media, politicians, have to act now, not send thoughts and prayers in the future.”

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About GLAAD: GLAAD rewrites the script for LGBTQ acceptance. As a dynamic media force, GLAAD tackles tough issues to shape the narrative and provoke dialogue that leads to cultural change. GLAAD protects all that has been accomplished and creates a world where everyone can live the life they love. For more information, please visit www.glaad.org or connect with GLAAD on Facebook and Twitter.

Bowen Yang’s First Gay Film

June 13, 2022 by Guest Columnist

Bowen on Fire (Island)
He’s here, he’s queer, and now the‘SNL’ juggernaut is the lead in his very first (very gay) film
By Chris Azzopardi

Maybe Bowen Yang will just forever live the Fire Island fantasy wherever he is. Is that what happens when you make a movie in what many consider gay paradise? Who knows, but based on Yang’s attire on Zoom — a beaded, rainbow-colored flower necklace and a casual white-and-blue checkered shirt, his white undershirt exposed — the Australian-born Chinese American actor looks ready to challenge the rich, white gays known for essentially claiming the queer party town, just off the southern shore of Long Island, New York, as their own.

But not in Hulu’s “Fire Island,” a movie that can make us believe it isn’t exclusive to any group as a boatload of intersectional queers — the main friend group is refreshingly Asian American and Black — sail away to the island for more than just wild nights and romantic seashore walks. They know what they’re getting into — drugs, drinking, and all those white gays — and they’re the kind of besties who know exactly what’s on everyone’s Fire Island agenda.

For some, obviously, that’s a little more than a snuggle. For Howie, though, that _is_ a snuggle. Yang plays Howie, and his very good friend Noah (Joel Kim Booster, who wrote the script as a modern retelling of “Pride and Prejudice”) knows that Howie won’t ever be the slut he wants him to be. That, of course, doesn’t stop him from trying to whore out Howie. After all, that’s just what good friends do! “You’re cute, you’re funny, you’re consistently the least repellent of men out of all of us,” he tells Howie, earnestly.

The same could be said of Yang, who’s gained an avid following since he started writing for “Saturday Night Live” in 2018. Just a year later, when he was promoted to featured cast member, he made history as the first-ever Chinese American cast member (and third openly gay male cast member after Terry Sweeney and John Milhiser).

In a recent conversation, Yang chatted about being a leading man for the first time, not being recognized in a West Hollywood gay bar recently, and infusing his own signature queer flavor into “Saturday Night Live.”

Every time I watch a queer movie, I just wish it existed sooner.

Is that like our lot in audience life? I think we’re just gonna think that for everything. For me, and I don’t mean to undermine this thought, but even if it’s a perfectly fine-to-bad queer movie — not saying that our movie is those things — but add it to the pile!

So the whole time I was watching “Fire Island,” I wanted to know how you got cast as Howie, the non-slutty character? Specifically the non-slutty part.

I think Joel was doing this great thing, which is to map it onto our friendship a bit while also mapping it onto the source material of “Pride and Prejudice” and having it be like Jane and Liz. But then also just outlining the ways that a lot of queer people, and maybe specifically gay men, might not share an organizing principle in that way. Like, there are some people who really go for it and just catch as many Pokémon as they can, so to speak, and there are some who choose not to.

I mean, in my 20s I was definitely a Howie.

Oh, and then that shifted?

It did shift. And it feels good.

Great. I think maybe that’s in store for me.

In 105 minutes, this film takes on body positivity, prejudiced gays, horny gays, non-horny gays, infighting… . Was there a lot of conversation about what this movie would cover?

I mean, if you create a liberated space for people, then their thoughts might kind of reach just a bit beyond the pale in a setting outside of that. And so I think Joel’s whole thesis for the movie is “what happens when gay people go to an all-gay space, and then gay people start to bring all their societal baggage onto each other and turn it inward.”

I think he did a great job of balancing all those things. I think he just recognized that Fire Island is this wonderful stew pot full of different kinds of people, and that you get all these different elements to that when everyone co-mingles in that way.

I love that there’s a group of queer people of color who are just like, “Gonna sail over, and you know? This is also our place.”

Yeah. And in my experience going there — and I go at least once a year, every summer — it is weirdly still a given that you’re gonna see that it’s a bit dominated by one kind of person.

I’m always really delighted by the people I see there who are there driven by the same sort of mission of just spending time with their queer friends. Going to the beach, just getting away from all the things that sort of bog them down on the mainland.

Did you see “Wine Country”?

I did, yes.

So was this your “Wine Country”?

Oh my god, I guess so. All “Fire Island” was missing was a Brené Brown cameo. I think the nice thing about this is that it’s like a vacation comedy, obviously, and a rom-com, but I think the way that Joel wanted to map it onto “Pride and Prejudice” is such an ingenious thing. It’s about the way people relate to each other. It’s about the ways that we stratify each other, or relate to each other based on class, wealth or, in this case, race.

With “Wine Country,” Amy Poehler had said the film was basically a trip those same girls had taken many times before. Had any of you already experienced “Fire Island” together?

Yes, yes. We have. Me, Joel and Matt Rogers had gone in the past. And the idea came out of Joel and I going the first time together. This was 2015, where he brought a copy of “Pride and Prejudice” to the island. And then he and I were reading by the pool one day, and he just turns to me and goes, “This would make a good movie. The way that people judge each other is similar. The way that there are all these social gatherings that people sort of get worked up about, it’s all there.”

In some ways, the idea predates the established dynamic that Joel, Matt and I have had there. But I feel like it’s [in] a similar vein in that it’s loosely based on these trips that we’ve taken together. It’s similar to our experiences going there in terms of like, we would go there when we could barely afford it. We [were] 18 people to a three-bedroom house, those kind of “roughing it” early experiences.

Did you, Joel and Matt also meet at a brunch like your characters in the movie did?

We did not meet at a brunch. It was at a much more boring place, honestly. And it’s hard to get more boring than brunch.

I’ve never been to Fire Island, but I think I may be more of a P-town gay.

Listen, I am about to go there for the first time this summer. And part of me is a little scared that I’m gonna be a turncoat and just fully, like, be a P-town gay for the rest of my life.

What can you say about your part in the upcoming major-studio gay summer rom-com “Bros”?

I have a really fun part in that. My character, ironically, lives in Provincetown, so not Fire Island. That might be all I can say. But I think they’ve been showing clips of it at different events, and it’s getting a really good reception. I really hope people — I’m sure people will see it. There’s such a great team behind it, and Billy [Eichner, co-writer and star] is just so wonderful. He was so great to work with. I was sort of a day player. I just popped in for a day in between shows at “SNL.” So I was a little disoriented. But it was just such a lovely experience, and I felt very lucky that I got to do that in addition to “Fire Island,” to be a little witness to all these great [LGBTQ+] movies that are being made.

Was “Fire Island” a loose shoot? You are all so naturally funny, so were there moments of improvisation, and did any of those make the final cut?

Plenty of moments of improv made it into the final cut. From, like, Matt specifically. From me, from everybody. I think everybody [added] a little sprinkling in there. Overall, what’s remarkable about that set was that there wasn’t too much breaking. We weren’t out to make each other laugh or crack up. I think we were all there to hit our marks and do the job well. Because it was a very intense situation. A lot of us, you know, [this was] one of our early jobs doing a feature. And I think we all just were kind of focused on delivering. So maybe in the future, if we all work together again, it’ll be a little bit looser. But it was pretty regimented. We were all very good students, I would say.

Your film career is really taking off, which is exciting. And you got to really create a character for this.

I know. This is one of my first experiences doing that.

What was that like for you?

Really nice. I learned so much. And I think this is one of those jobs that I think will carry into future projects, if I’m so lucky to have them. I mean, James Scully, who plays Charlie, and I… this is my first time having a love interest in something. And he’s someone who is experienced enough as an actor to know how to make that believable onscreen. So we just had a lot of discussions about how to portray that and what these characters would be like after they left the island and what that journey is.

James had the idea to make a playlist. He was like, “Let’s make the playlist the character would make for the other character.” And that was perfect tone-setting. Like, these are two very sweet people who are sweet despite everything around them telling them there’s no place for sweetness. That this is about debauchery only. And even at the end of the movie, there’s an open-ended question about whether or not these people will even end up together after they leave the island. And what happens then? But these are two characters who aren’t concerned with that, who aren’t really worried about what’s gonna happen afterwards. Whether it ends badly or well, they just are very present in their connection to each other.

I’m glad you say that because those trips to me often feel like they’re suited for that sort of experience — for a little weekend romance.

I think the movie does that very well in the end where, again, it’s that open-ended thing. And I don’t think a lot of rom-coms in general do that. It’s a very realistic, authentic sort of representation of that concept. Like, “Maybe this is just a vacation boyfriend. But it’s OK. I’ll still enjoy it.” It’s still a love story, you know? There’s something really powerful about acknowledging that reality for a lot of people. I think there’s a subtextual thing there in the movie where it’s like, “This is how gay people live, and this is why they come to the island, to experience that, to have the possibility of experiencing that.” And then if they do, then what happens?

Whose idea was it to sneak in the reference to the “Gays in Space” sketch, which aired on “Saturday Night Live” in 2015?

That was Joel. I promise it wasn’t me. I just never pushed back. It was in every draft of the script, and I never pushed back on it. And I was like, it’s so on the nose of me as Bowen saying to a character that he loves “SNL.”

But that was a Joel line. And we just kept it in there. But then it got me thinking, like, OK, if Howie and I are similar, in what ways are we similar? Howie doesn’t work at “SNL,” but if I didn’t work at “SNL,” I would probably bring that up, too, at a party, if I was getting to know someone. And there was something somewhat authentic about that. I think Joel was going for that sort of authenticity. It was just, What would Bowen say through the lens of this character?

While we’re on the topic of “SNL,” I have you to thank, in part, at least, for making a show I grew up with and loved a much queerer experience for me.

Oh, that’s very nice. But yes, there are so many other people to thank. It’s people like James Anderson who wrote “Gays in Space,” who left somewhat recently. Kate McKinnon, obviously, Chris Kelly, who made “The Other Two.” Paula Pell of “Wine Country.” There’s been this pretty rich lineage of queer people at “SNL.” I think now there are more things to index and reference, and I’m just very happy to be a small part of it.

Historically, yes, there are other skits that were queer. But it definitely feels like it’s become much queerer in more recent years.

I think we talk about how “SNL” has always been this variety show in the truest sense. There’s something for everyone, or at least there’s something different in every sketch. And certainly, with Kate being there, it’s given people a model for how you infuse queerness into a sketch.

Julio Torres working there around the same time I did was just such a fortuitous thing for me because I was able to understand, “Oh, I can write something.” When I first started writing there, I was trying to fit into the mold of an “SNL” sketch. I was trying to write a game show sketch or a commercial parody. And then, when Julio and I started working together, he was like, “No, you can do whatever you want. You can make something that’s from your point of view. That makes the show better.”

Do you have an example of something you wrote from your own POV because of Julio’s influence on you?

One of the first sketches I wrote for the show was called “Cheques.” It was a commercial for checks, like these dramatic, soap operatic women just signing checks for misdeeds. That was something Julio and I co-wrote together. We co-wrote this sketch called “Sara Lee” with Harry Styles, who’s this social media manager who writes all these thirsty gay captions for Instagram. That was Julio’s idea, and it wouldn’t have happened without Julio’s assuredness in his own point of view. And it kind of gave me this example to follow, so that by the time he left, I was like, “I guess I can do that on my own, right?”

So yeah, you think all the way back to Terry Sweeney in the ’80s who was doing stuff at a time when gay men were completely stigmatized at every level [in] society. I think there’s been a queer sort of helix in the show for as long as it’s been on.

What about the “Pride Month Song” sketch from last year? What’s the story behind that?

I co-wrote that with Sudi Green and Celeste Yim. Just really funny writers. Queer writers. And we just were talking about how there is this pretty widely acknowledged reality now that I just don’t think we’ve seen on TV of how Pride is kind of exhausting. And it’s kind of not what you expect it to be: You think it’s gonna be this amazing thing and it actually ends up being really stressful and logistically a nightmare and someone has a meltdown at some point. You know, those are the realities of Pride. And there’s still something joyful about that, even so. And maybe that’s the thing that we kind of look forward to every year. So yeah, that’s where it came out of. And I was, like, listening to Charli XCX’s “Girls Night Out,” and I was like, “Let’s just map it onto this beat.”

Well, that’s your POV, right?

My POV! Yeah. She counts.

It seems you’ve become a big name in such a short amount of time. How have you processed what I think is a relatively meteoric rise to notoriety these last few years?

I got really lucky in terms of an incremental, segmented ramp-up, maybe? For me, so far, it’s been manageable at every level. Starting out doing stuff in New York, you kind of are putting yourself out there more and more with every show and every year that you do it. And then Matt and I started this podcast [“Las Culturistas”] together. That kind of got people who didn’t live in New York knowing who we were and connecting with what we were doing. And then going on “SNL,” obviously, kind of broke that open. But I think I’ve gotten some sort of training wheel taken off and there’s multiple sets of training wheels, I guess, in this metaphor. But I think I’ve gotten really nicely acculturated to that. And I’m very grateful.

Can you step into a gay bar in West Hollywood without being conscious of, “I know that there will be eyes on me because I’m Bowen Yang”?

It occurs to me that that might be the case, but I went to Hi Tops recently in LA, in West Hollywood, and was ignored at the bar. And I was like, “This is great.” Not that this was great but I was like, “See, there’s something very democratizing about going to a queer space like that where you’re like, ‘That’s why I go: to feel like a part of something.’” There hasn’t been anything fundamentally different about my reality, which I think is really nice, actually.

What do you want the future of your film career to look like?

I hope I get to just do a nice variety of things, across different genres probably. I feel like we’re about to get hit with a bunch of rom-coms, and I wouldn’t mind just staying in that lane for as long as possible.

I’m keeping an open mind because people have been asking me if I expected to be leading a rom-com ever. I was like, “No, no way.” And so I think me sort of keeping my expectations pretty sparse is kind of setting myself up for some delightful stuff in the future. I don’t really have a vision for what that is yet. And I think that’s OK.

Chris Azzopardi is the Editorial Director of Pride Source Media Group and Q Syndicate, the national LGBTQ+ wire service. He has interviewed a multitude of superstars, including Cher, Meryl Streep, Mariah Carey and Beyoncé. His work has also appeared in The New York Times, Vanity Fair, GQ and Billboard. Reach him via Twitter @chrisazzopardi.

Cavetown talks new projects, musical evolution and war on trans people

June 6, 2022 by Guest Columnist

Cavetown: Transgender & Asexual Spectrum Artist

Sense and Sensitivity
Cavetown talks new projects, musical evolution and war on trans people
By Lawrence Ferber

As YouTube, social media, and self-released music platform Bandcamp grew in popularity, musicians could create music and garner followings from their own bedrooms: hence “bedroom pop” was born, and so was the career of UK-born, 23-year-old singer/songwriter/producer Robin Skinner (he/they), aka Cavetown.

Currently embarked on a dense, largely sold out U.S. tour through late spring with international dates to follow, the openly transgender Cavetown — who also falls somewhere on the aromantic and asexual spectrum — recently followed up his 2021 EP, “Man’s Best Friend,” with the single “Fall In Love With A Girl.” The song is a collaboration with Filipino-British next gen guitar hero beabadoobee, about “someone who’s struggling with their sexuality and how that affects their happiness,” Skinner explained in a press release. “This person is scared to take the leap to make themselves happy and tries to make things work in a hetero relationship. When they finally take the step to be in a same-sex relationship, they realize how happy it makes them and that it’s OK to trust yourself.”

Cavetown’s journey began at age 14, when Skinner uploaded his first original song, “Haunted Lullaby,” to YouTube, which, seemingly on brand for bedroom pop, boasts a ukulele (he’s swiveled more to guitars lately, plus gorgeous, richly melodic hooks and well-produced harmonies on even his most lilting tracks). A 2015 self-titled, self-released full length album scored acclaim and a quickly growing audience — which, today, includes eight million monthly Spotify listeners, over two million YouTube subscribers, and more than a billion global streams. At the same time, Skinner also kept busy dropping covers of songs by Twenty One Pilots, Elvis Presley, Ed Sheeran and Justin Bieber between subsequent singles, EP and LP releases (most can be found on Cavetown’s Bandcamp), including his 2020 major label debut on Sire Records, “Sleepyhead.”

Taking a break from tour rehearsals, Skinner fielded email questions about his new single, his musical evolution, touring, insect wars, other awesome non-binary/trans bedroom pop artists and the GOP’s war against trans people.

To get it out of the way, where did the stage name Cavetown come from?

I wish I had an interesting answer, but I came up with it when I was like 12 or 13, just because it sounded cool! I’m very grateful that it still sounds cool to me and didn’t end up being something cringey.

Was there an opportunity to do something new on “Fall In Love With A Girl” that you haven’t before?

Working with beabadoobee was something new, which I was super stoked to get to do! Her voice works so well in the song, and I had a great time recording with her and mixing her vocals, as well as [musician] Jacob Bugden’s synths and drums. I pretty much just work in Logic and haven’t really explored any cool plugins or hardware, so it was sick to watch Jacob do his thing with the synths he brought. There’s so much unique stuff you can do with external hardware, but finding where to start seems so overwhelming.

You don’t shy away from being vulnerable and intimate in your lyrics. For example, in 2020, you told Billboard, “I write songs about things that I find hard to talk about in person with people.” Which song from your most recent EP, “Man’s Best Friend,” is the most personal for you?

“Sharpener” is definitely the most personal and one that I’m really proud of. Sonically, I started by taking inspiration from one of my really old songs, “I Promise I’m Trying” [from the EP Nervous Friends: Pt. 1], which has maintained a special place in my heart since I wrote it in 2015. They both come from a similar subject matter of struggling with your mental health and looking for a way to ask for help while also finding it hard to leave behind the coping mechanisms you’ve relied on for a while.

How would you describe your musical evolution since 2015?

It’s hard for me to identify how my songwriting has changed, but my production has definitely improved a lot, and I just hope that it continues to do so.

Have you recorded some songs over the years that you’re saving for a future release, or, like Prince and Paddy McAloon of Prefab Sprout, will keep in a vault forever?

No full songs that I can think of, but I have a ton of half-finished project files that I forgot about or got bored of. They’re great to keep for inspiration when I’m feeling stuck. Quite a few of my songs, like “Guilty” and “Boys Will Be Bugs,” came from unfinished projects that I originally got stuck with or thought I would be scrapping.

And what other projects are in the works that you can say something about?

I don’t know if I can share much, but I’m working on dipping my toesies into some film scoring.

There seems to be a proliferation of fantastic non-binary and trans-identified bedroom pop artists lately, including Kali, Khai Dreams and Addision Grace, your opening act on your current tour. What is it about that genre that’s so perfect for you, and did I miss any artists you’d add to that list?

I feel like I just fit so comfortably into bedroom pop as someone who’s always felt so protective over my production. I’ve always produced everything myself from home and plan on keeping it that way forever. And my friend Allie Cuva, aka allie, makes some stunning music, and an artist I played a show with a long time ago called NoSo has some of the most mesmerizing guitar skills I’ve seen in person. Highly recommend.

You performed at Lollapalooza in 2021. How was that experience?

It was cool! Definitely quite nerve-racking, as it felt very foreign to be around so many people after the pandemic, but we managed to stay as isolated as possible. The most memorable moment for me was watching a cicada and a bee falling from a tree while fighting. The cicada was screaming and I witnessed it die on the ground. [sad emoticon]

What separates touring the USA from touring your native UK and other countries?

The crowd is pretty consistent all over the world, which is really nice! Ninety-nine percent of the time everyone is super sweet and respectful, which is really comforting because it feels like I’m just going out into a room full of my buddies no matter where in the world I am. The biggest difference is definitely the travel time. The USA is huge. I’m very privileged to be able to travel in a bus and sleep through most of the long drives.

Any cities you love the most, or can’t wait to visit on this current tour?

I’m really excited to spend more time in San Diego, Seattle and Toronto.

Have you been to Detroit before, and if so, any anecdotes you can share?

I have! I was in Detroit during that polar vortex a few years ago visiting [fellow singer/songwriter/YouTuber] Chloe Moriondo. I’ve never been so cold in my life; it straight up felt like my lungs were gonna freeze. I remember getting into Chloe’s car, and there was a bottle of soap in the cupholder that was frozen solid.

Republicans and GOP leaders are attacking trans people through hateful state bills right now and plan to make this a culture war point for the 2022 election. Are you aware of it, and any thoughts or words of inspiration to share with people who live in those states?

I hate to say that it’s not a surprising thing to see happening. I try not to read too much on stuff like this because I just end up feeling so powerless as an individual, but it’s important to remember how enormous, loving and active our community is. Just keep sticking by your friends and being unapologetically yourself. Things will always be OK in the end, and if they aren’t OK, then it’s not the end.

LGBTQ+ Community Falling Behind on Financial Security

June 1, 2022 by Guest Columnist

LGBTQ+ Americans are less likely to be on track to meet their financial goals, have the capacity to absorb unexpected expenses, or feel confident in their ability to save for retirement compared to the general population, according to a new Nationwide Retirement Institute survey. Almost two-thirds of LGBTQ+ Americans report living paycheck to paycheck most of the time. That figure jumps to 72% for Black LGBTQ+ members.

LGBTQ+ survey respondents indicated they were less knowledgeable than the general population about important financial topics, including retirement planning (by 13%), estate planning (12%), and investing in the stock market (8%).

“As consumers face rising inflation, ballooning gas prices, soaring housing costs, and more, accessing sound and personalized financial advice becomes more important,” said Rona Guymon, Senior Vice President of Annuity Distribution at Nationwide Financial. “That’s especially true for LBGTQ+ individuals, who may face additional challenges that take a toll on their finances.”

Meeting the needs of the LGBTQ+ community

Two-thirds of LGBTQ+ Americans report they face unique financial challenges that most non-LGBTQ+ people do not.

More than a third (37%) report that their career has been negatively impacted due to gender identity or sexual orientation and nearly half (46%) say that their opportunities for career advancement have been negatively impacted due to gender identity or sexual orientation. These challenges negatively impact LGBTQ+ individuals earnings potential, a problem that then compounds as they age.
More than half (56%) believe that LGBTQ+ people experience higher healthcare and health insurance costs than non-LGBTQ+ people.
Roughly half of LGBTQ+ Americans feel saving to start a family (52%) and finding housing (47%) are more difficult for them compared to non-LGBTQ+ people.

How the financial services industry can better serve the LGBTQ+ community

Seven out of 10 LGBTQ+ Americans report they would feel more comfortable with an advisor or financial professional who is a member of the LGBTQ+ community (or a vocal ally). Fewer than four in ten (37%) feel that financial advisors understand their unique challenges, highlighting a major opportunity for advisors to better meet their needs.

To better support them in their personal finances and financial planning, LGBTQ+ members want to see:

Improved benefits for unmarried partners (41%).
Boomers are most likely to report that improved benefits for unmarried partners would be most beneficial (52%).
Increased representation of their community in the financial services profession (34%)
More awareness of bias and discrimination impacting the LGBTQ+ community in the financial services industry (34%).

The top financial goals for the LGBTQ+ community are saving for experiences such as travel and hobbies, paying off debt, and saving for retirement, in that order.

“The first step and most important way advisors and financial professionals can better serve the LGBTQ+ community is to understand their unique challenges and concerns,” said Guymon. “There are lessons we can all draw from this survey to better meet the needs of this community and many others.”

Nationwide created this resource to help advisors and financial professionals understand the needs of LGBTQ+ clients.

“Members of the LGBTQ+ community should seek out self-identified LGBTQ+ advisors or financial professionals or those who are vocal and visible allies,” Guymon added. “Look for financial professionals participating in the local Pride Parade or festival – or ask for referrals from others in the community to identify those who have a strong track record serving LGBTQ+ clients. You can also visit letsmakeaplan.org to search for an advisor with an LGBTQ+ client focus in your area.”

Methodology
Edelman Data and Intelligence (DxI) conducted an online survey of 1,000 nationally representative adult U.S. consumers and 1,000 members of the LGBTQ+ community on behalf of Nationwide. The survey was fielded from April 22 through April 28, 2022 and has an overall margin of error of ±3% at the 95% confidence level.

Disrupting Disparities for LGBTQ Older Adults in Illinois

May 27, 2022 by Guest Columnist

Groundbreaking New Legislation Will Break Down Barriers for LGBTQ Older Adults, People Living with HIV in Illinois

AARP Illinois commends lawmakers for passing measure inspired by report organization commissioned with SAGE last year

On behalf of 1.7 million members across the state and all adults 50-plus, AARP Illinois commends the bipartisan passage of SB3490, “The Disrupting Disparities for LGBTQ Older Adults Bill.” LGBTQ people and people living with HIV have long faced unique challenges as they age because of a lack of affirming resources and services, and stigmatization, and this bill is an important step in ensuring that their voices are represented in state programming and policymaking.

AARP Illinois applauds the work of bill sponsors, Senator Karina Villa and Representative Lakesia Collins, who championed the passage of this bill.

The passage of SB3490 will:

Create a 3-year Illinois Commission on LGBTQ Aging;
Require the Director on Aging to appoint an LGBTQ Older Adult Advocate to ensure the needs and experiences of LGBTQ older adults and older adults living with HIV are considered and incorporated throughout the department’s programming and policymaking; and
Require state-funded service providers to complete LGBTQ older adult awareness and competency training.

The legislation will ensure continuity of the groundbreaking work of the Illinois Department on Aging under the leadership of Director Paula Basta, in support of LGBTQ older adults and older adults living with HIV.

“LGBTQ older adults face unique challenges, and we want Illinois to lead in valuing their identities, expanding access to inclusive services, and meeting the critical needs of this population,” said Director Basta. “I’d like to thank AARP Illinois, Pride Action Tank, Equality Illinois, stakeholders, and our legislators for affirming the administration’s continued commitment to supporting LGBTQ elders in our communities.”

This legislation solidifies years of work by advocacy organizations who supported this bill, including AARP Illinois, Equality Illinois, Pride Action Tank, the AIDS Foundation of Chicago, Center on Halsted, and SAGE.

“LGBTQ older adults are a key part of Illinois’ rapidly growing elder population, and yet they remain largely invisible,” says Mary Anderson, Director of Advocacy and Outreach – Northern Illinois for AARP Illinois. “This bill is a critical step to break down barriers to access and to address the disparities faced by older LGBTQ adults, especially for the 1 in 5 LGBTQ older adults of color for whom those disparities are compounded.”

“More than half of people living with HIV in the United States are over the age of 50 and face innumerable challenges as they progress in their later years including stigma, isolation, and various comorbidities,” said Timothy Jackson, Director of Government Relations for AIDS Foundation Chicago (AFC). “AFC and Pride Action Tank are proud to support SB3490, critical legislation that will address some of these challenges faced by LGBTQ older adults and older adults living with HIV head on.”

“We must tackle the disparities LGBTQ+ older adults and older adults living with HIV face. By directing resources, training, and attention to meeting the needs of this critical population, SB 3490 helps make sure Illinois is a more affirming and equitable state for LGBTQ+ older adults and older adults living with HIV,” said Mike Ziri, Equality Illinois Director of Public Policy. “We applaud the leadership of Sen. Villa, Rep. Collins, and the Illinois Department on Aging for shepherding this bill to the Governor’s desk. And we are grateful to the broad coalition of partners from across the state who helped build the case for this important law.”

“SAGE applauds the hardworking advocates on the ground in Illinois and our champions in the legislature, particularly Sen. Villa and Rep. Collins. Thanks to their leadership, Illinois continues to be at the forefront of making sure that LGBTQ+ older people and older people living with HIV receive the culturally competent aging services and supports our community deserves,” said Lynn Faria, Executive Vice President at SAGE. “LGBTQ+ elders will continue to have a voice both alongside and within the Illinois Department on Aging. We look forward to Governor Pritzker signing this bill into law.”

LGBTQ advocates across the state expressed enthusiastic support for the passage of the bill:

“The passage of SB3490 of represents a pivotal moment for LGBTQ older adults across Illinois. Not only does the Commission on LGBTQ Aging represent a historic recognition of LGBTQ elders, but it represents an investment in the future of the entire LGBTQ community across our state,” said August Hieber, Manager of Advocacy & Programs at The Chicago Bar Foundation. “As a transgender Illinoisan, I am so grateful to Representative Collins and Senator Villa for centering the histories and experiences of the older adults in my community.”

“As an LGBTQ+ elder, and native-born Illinoisan, I am proud of the long history that the Prairie State has in progressive legislation that has made this state one of the minority of U.S states where LGBTQ+ citizens enjoy full civil rights,” said Don Bell, LGBTQ+ Elder and Advocate. “In stark contrast to the legislatures of many states across the country where LGBTQ+ rights are currently under assault, Illinois continues to reinforce the rights of all members of our community, whether they reside in the Chicago metropolitan area, or in the downstate, small town, rural, or exurban parts of Illinois. The Great State of Illinois is a great place to call home!”

“I salute everyone who had a role in getting the LGBTQ 50 + Older Adults Bill passed,” said Billy Rogers, co-founder of the Golden Rainbows of Illinois South (GRIS), a group formed in 2021 through the Rainbow Cafe LGBTQ Center in Carbondale. “My spouse of 32 years is 87 years old and I am 66 years old. You might say I am in the ‘fourth quarter’ and my spouse is in ‘overtime.’ We are living in this culture of disparity, having been victim to insults and discrimination, but we celebrate this moment. GRIS is now working to provide programs and resources for the aging 50+ LGBTQ seniors throughout Southern Illinois. As co-founder of GRIS, I realize the work is far from over.”

The solutions in SB3490 are based on findings from a ground-breaking report from AARP Illinois and SAGE, Disrupting Disparities: Challenges and Solutions for 50+ LGBTQ Illinoisans, as well as the work of advocacy organizations and direct service providers that serve LGBTQ older adults and older adults living with HIV in Illinois.

As a critical final step, AARP Illinois encourages Governor Pritzker to sign this meaningful bill into law.

More than Moana

May 26, 2022 by Guest Columnist

More Than Moana
Auli’i Cravalho on her new bisexual role, her first Pride and coming out on TikTok
By Chris Azzopardi

It’s still open to interpretation whether Moana is on the queer spectrum, but Auli’i Cravalho, who voiced the Disney princess, can assure you of one thing — she’s a proud bisexual. The 21-year-old actress portrays her first openly LGBTQ+ character in “Crush,” a Hulu Original Film with lesbian love at its center. Cravalho, as track-team runner AJ, plays an instrumental part — saying anything else would give too much away — in the teen rom-com about the unexpected twists and turns in high school romance. Donning a plaid Coach coat, which she was wearing “proudly for the rest of the day on this couch” since it wasn’t hers, Cravalho talked on video about inspiring LGBTQ+ youth to be themselves, her message to major corporations like Disney when it comes to queer issues, and what about her first Pride event she’s most looking forward to.

As somebody older than you, I can say how proud it makes me to see people in the queer community be part of these movies. These movies did not exist when I was a teenager, so I can only imagine what it means to queer youth when they see not only themselves in these characters but people who are queer playing them.

Thank you. It felt really important to me, as well. I remember reading the script, and I was, for one, honored because I haven’t really played a queer role before. I do identify as bisexual, so it felt important, also, that my character was written in that way. It was really nice to have a rom-com that focused on teens that was positive and sex-positive. And also, not being focused on a coming out story, because we are so much more than just sexuality. It felt really refreshing. I was very happy to play AJ.

You’ve answered my next question, which was: What appealed to you most about this movie when you got the script?

I was just happy that it was a good script, first and foremost. But also, then I learned that the writers, Kirsten King and Casey Rackham, are also queer. And then, to top it off, our director, Sammi Cohen, is also queer. It felt so good, and after reading the script, it made sense. I was, like, “Oh, see, this is why the jokes land. And this is why the Gen Z humor is so on the nose, because we’re making fun of ourselves, and it’s funny!”

Working with so many people from the LGBTQ+ community, did you feel at home?

Yeah. It’s really fun. I mean, just to know that we are making something that I’ve learned affects how people are treated in real life. So, to show films that are more diverse, inclusive, sex-positive — it broadens our audience’s minds, and I think we all knew that.But then, also, we’re all young. It’s a young cast, and we all got to, somewhat, [hang out] during a pandemic, because this is a pandemic film. I was skateboarding with some people because that’s what my character does, and I fell down a lot. It was just fun to be included in a cast that knew the importance of the film.

AJ is into girls, but do we know how she identifies?

Yes, we do. AJ is a proud bisexual just like me.

How do you relate to her?

I, for this role, practiced running, which is strange to say, but I did have to practice how to run. [Laughs.] I also took a few skateboarding lessons and drove myself to the skate park, and I fell down a lot. Like, truthfully, that really bruised my pride. It was important for me to do that, because that connected me more so to AJ, as someone who is a perfectionist. She wants to be on her A-game, always, in school, as far as grades are concerned, as well as with the track team. She is co-head of the track team.Then what we come to find out is she has this really strong inclination to art, and she draws. To be a perfectionist in your art is so common, but also so damaging because, at least for myself, when I make art, I’m like, “It’s not ready yet. It’s not ready to be seen.” Sometimes I wonder if it will ever be ready to be seen. These were traits that, suddenly, I understood, because I am also a perfectionist.

In 2020, you came out on TikTok as bisexual. Did you expect that news to make the splash that it did?

It was crazy! It was in the beginning of the pandemic, when no one had anything else to talk about. And I was like, “I’m gonna lip sync this Eminem song on TikTok at 3 a.m. with my mom literally snoring in the background.” It blew up. So, that was strange [laughs]. But I never felt the need to come out. Like, you don’t have to make a really big announcement to know who you are. And, for me, that’s how it was. I’ve always known that I like girls. Girls smell good, and they are soft, and I know how to talk to girls; that’s just something that comes naturally to me. So, if anyone relates to that, that’s your coming out story to yourself. When you have that conversation with yourself, that’s all it has to be.

Do your queer fans still come up to you or reach out to you on Twitter and talk about it, and what do they say?

Yeah! They said they’re impacted that I did that. I didn’t realize the impact, but now I do. Because it’s representation, and that’s what it comes down to. It’s seeing yourself on screen and more than it was important for myself, it was important for others to know that it was OK.

Sometimes we’re just in our bubbles. For me, I’m surrounded by queer people all the time. But we have to keep in mind that some 12-year-old boy in small-town Kansas City might not have any queer friends, so the only people he has is someone like you.

Yeah, well said. And it truly is that, and I forget. I forget I’m 21, you know what I mean? To have an impact like that, it makes my heart swell. I’m truly so grateful.

What did you make of the “Moana is bisexual” headlines after you came out?

I also find that amusing. What is written and how it is portrayed, and then how the public takes it or how one person interprets it, is entirely their own. That’s what’s super special about it. A lot of movies are queer coded. A lot of characters are camp.

Representation has changed so much in the last few years, and what I love about “Crush” is that it is just casually queer. Are those the sort of queer characters that appeal to you?

I think this ties back into: I am bisexual. I identify as queer. And every character that I play, moving forward, is an extension of me. And so my vibrancy and my experiences shape how I play a certain character. So, in the future, I absolutely want to play characters that are outwardly queer. But, even if they aren’t, I think the way that I interpret scripts will always be my own. And all my characters are gonna be a little bit like this, because I’m a little bit like this. I don’t know how to say it in words.

That all your roles get filtered through a queer lens?Yes! I think filtered through a queer lens is such a better way of putting it. Beautiful words.

There’s been talk about Disney for years and LGBTQ+ representation within Disney films, about them falling behind and not keeping up with the times. What’s your take on that as somebody who has worked for Disney?

I think it’s really important to stand on the right side of history, now. It’s important to support people, regardless of sexuality. And support people for their sexuality, as well. And, in times such as these, when corporations are tied so directly to bills and laws, I think it is imperative that people speak up. And I applaud individuals for standing up for what is right — for walking out, for striking when it’s necessary. Because it is. Because, sometimes, we need to take matters into our own hands in order to be listened to.

So, I believe representation is very important, but also the work on the ground is just as important, and staying up-to-date and staying informed. This is the world that we live in now. And if we’re fighting for our diverse and inclusive future, then be inclusive. Put your money where your mouth is.

We’re nearing Pride, and I don’t know if you’ve ever gone to a Pride event, but, this year, how do you plan on celebrating?

I’m so excited. I’ve never been to a Pride event. But I lived in Hell’s Kitchen for a while.

Always Pride there.

Always Pride! [Laughs.] I suppose my first Pride event… I live in Los Angeles, so I’ll be there. I’ll be taking to the streets. I will find someone to give a little gay flag. One of the great things about wearing a mask is nobody knows who you are. So, I’ll be there. I don’t know if you’ll see me, but I will be there. It’s so joyful to walk around and to scream Lady Gaga at the top of your lungs and to know that your community is surrounding you. And to watch “RuPaul’s Drag Race” on a TV in West Hollywood because it’s Pride. Like, everyone’s just playing things that are gay.

How fun to exist in that world for a period of time. And then to take that energy and throw it everywhere that you can, for the rest of the year. I feel like that’s Pride.

Rainbow Railroad Calls on the Government of Canada to provide a Safe Way Out for LGBTQI+ Refugees

May 23, 2022 by Guest Columnist

TORONTO, May 17, 2022 /PRNewswire/ – Rainbow Railroad — an international organization that helps LGBTQI+ people escape violence and persecution to find a path to safety — is signaling the urgent need to provide a pathway to safety for LGBTQI+ people around the world, especially in Afghanistan, in partnership with the Canadian government.

Last year, 7,096 LGBTQI+ individuals reached out to Rainbow Railroad from around the world. This included over 3,300 LGBTQI+ Afghans who have reached out to Rainbow Railroad since August 15, 2021. Right now, 300 LGBTQI+ Afghans are ready for imminent travel and resettlement in a safer country. But they’re stuck, and waiting for a way out.

“The Canadian government and Prime Minister Trudeau have the opportunity, authority, and historical precedence needed to expedite the resettlement and support of vulnerable LGBTQI+ individuals,” said Rainbow Railroad’s Executive Director, Kimahli Powell. “It has already implemented an emergency program to support at-risk Ukrainian civilians feeling conflict. A similar program would provide urgent help to the LGBTQI+ Afghans in contact with Rainbow Railroad.”

After the fall of Kabul last year, Canada made a commitment to resettle 40,000 people and keep LGBTQI+ Afghans safe. While Canada has made strides towards this commitment, Rainbow Railroad continues to see an ever-increasing number of LGBTQI+ Afghans who need safety and support.

LGBTQI+ people in Afghanistan face a high risk of lethal violence from the Taliban and their supporters. LGBTQI+ Afghans who make it across the border to neighbouring countries are not safe either – many of these countries criminalize same-sex intimacy and gender diversity. For LGBTQI+ Afghans, resettlement to a country like Canada is their only option.

Rainbow Railroad asks the Government of Canada for a direct referral partnership to create additional targeted and expedited resettlement pathways for high-risk LGBTQI+ Afghan refugees, and more broadly, for LGBTQI+ refugees from around the world.

Without proactive crisis response plans for LGBTQI+ refugees, government responses remain reactive, and ultimately risk leaving vulnerable people behind.

“This is a real opportunity for the Canadian government to step up and be a leader in the global fight for LGBTQI+ rights, and in the ongoing global migrant crisis,” says Powell. “We stand ready to work together to make this happen, and call on Mr. Trudeau to implement this partnership right away.”

Rainbow Railroad is asking the public to fill out a petition, found at safewayout.ca to signal their support for this effort with a goal of getting 50,000 signatures before the start of Pride Month.

About Rainbow Railroad:

Rainbow Railroad is an international charitable organization with headquarters in New York and Toronto that helps LGBTQI+ people seeking safe haven from state-enabled violence and persecution in countries where same-sex intimacy and diverse gender expressions and sex characteristics are criminalized. Rainbow Railroad is a registered Canadian charity and 501(c)3 organization in the USA. For more on Rainbow Railroad, visit www.rainbowrailroad.org.

SOURCE Rainbow Railroad

In Conversation with KyivPride

April 28, 2022 by Guest Columnist

What LGBTQ+ people need to know right now about the Russian invasion of Ukraine
By Ellen Shanna Knoppow

Right now, in Ukraine, transgender people are forced to go without their prescribed hormones. “Pharmacies are out of stock of pretty much everything,” said Lenny Emson, executive director of KyivPride, a non-governmental organization in Ukraine’s capital city.

Emson is bigender and uses she/he and him/his pronouns. On Saturday, March 6, day 10 of the Russian invasion, this reporter spoke with Emson via Zoom. For security reasons, Emson did not disclose his location. “I’m in a safe place,” s_he said.

The following interview has been condensed and edited.

What do LGBTQ+ people in Ukraine fear most about the Russian invasion?

First of all, we are in solidarity with the people of Ukraine, so we feel about [the] Russian invasion that it never should happen, and we will fight to the last drop of our blood. We will not ever live under Russian laws. We will never obey Russia. We will never be occupied and live as Russians do, without human rights, without any rights, and standing on [our] knees, literally.

Conditions for LGBTQ+ people in Russia are much harsher than in Ukraine. Do you see that as a coming threat right now?

I think it’s not right for us. It’s a big threat that they will really introduce some repressions towards LGBTQI people and human rights activists. That is our fear.

For now, as LGBTQI activists, we’re not thinking of “What are we going to do when Russia is going to occupy us?” Our line of thinking is different: What can we do to prevent this from happening? So our work is kind of divided in two directions. One is to evacuate the most vulnerable population. We evacuate trans people, we have evacuated people with children from [the] LGBTQI community. And those who can fight, those who can be in territorial defense or in the Army, they join…and they fight. I know, personally, trans people who are joining the military to fight against Russia, and queer people now who are joining territorial defense units to help. I just want the world to understand that LGBT people in Ukraine [are] joining the fight. We’re not running from Russia.

How can we help? There is a post on the KyivPride Facebook page with a list of organizations providing direct aid.

I would be very grateful if you could spread it and you can spread the word. These organizations right now, they are concentrating their efforts in different parts of Ukraine. So KyivPride, we work nationally. We help all people all over Ukraine. We help people with money for food and relocation, and we have transportation means organized by different organizations. [See links to additional organizations below.]

What are the conditions like for LGBTQ+ people in Ukraine right now? For example, I understand transgender people are finding that hormones are impossible to come by.

Pharmacies are out of stock of pretty much everything. We are working with our partners from abroad, and we are trying to get some medications from there and to get them to Kyiv and to other cities where people need them. It’s kind of at the very beginning; this happened within a week.

What would you like LGBTQ+ people outside Ukraine to know about the LGBTQ+ community there?

We would like you to know that we have like 30 years of fight for LGBTQ rights behind our backs. We’re fighting for these rights and freedoms for [the] LGBTQI community, and we’re not going to just let it go. Last year, in 2021, KyivPride gathered 7,000 people on the streets of Kyiv. We were marching together for LGBTQI rights, for human rights. So unlike Russia, we are really big and we really value our freedom. We are very different from Russia, and we are not going to obey Russian laws and Russian oppression towards human rights, [like] we see right now happening in Russia for the last many, many years.

Many of us here feel helpless. What can individuals do? How can our government help?

How can government help and how can individuals help, this is very much connected, ’cause we would like individuals to go to the government and to ask people that have power to use this power for good.

We need our sky closed. “Close the sky,” this is a narrative that has been around from the very beginning of the war. So “close the sky ” is literally to ban all [Russian forces] from flying above the Ukrainian territory. That means that Russia would stop bombing. And this is what we need right now…because we need to live. In order to fight for human rights, we need to be alive. This is number one. That’s why “close the sky” is a very broad LGBT demand to the American government. We need to be alive in order to be LGBT and be a community.

As well, we’re asking all individuals not only just to donate to us…but be on our side. When you go on social media, and when you see posts in support of Russian propaganda, for example, posts denying that there is a war in Ukraine, posts denying that people are dying, posts supporting Putin or supporting Russia, please report. Please complain. There must be no place for Russian propaganda in social media; there must be no place for Russian lies on the Internet. Please. You can do this. This could be your big input in the fight against Russia.

Any final thoughts?

It’s hard to say anything because nobody has expected this. I know all the warnings from [the] American government…all these reports from the intelligence services…but who could believe this could happen in the 21st century — a ground war, really? Who could believe that this man would go and bomb Ukrainian cities? Who could believe? This is not real. When you look at all this footage from bombed cities, your brain does not want to recognize it as a reality, your brain tries to switch it off. It’s such a big stress to realize that this is happening in real time, so that’s why… no words here. What can we say?

KyivPride is a Ukrainian non-governmental organization that aims at contributing to full respect for human rights for LGBT+ people in Ukraine, at encouraging an appreciation for these rights by raising LGBT+ visibility and participation in social processes. In addition to its activities throughout the year, KyivPride organizes an annual event called the KyivPride-week. KyivPride accepts donations via 24 Pay, Google Pay and credit card.

Equality Caucus Welcomes Jordan Dashow as New Executive Director

April 21, 2022 by Guest Columnist

Congressional LGBTQ+ Equality Caucus Chair David N. Cicilline (RI-01) and the Congressional LGBTQ+ Equality Caucus have announced Jordan Dashow as its new Executive Director. Dashow brings to this role a wealth of knowledge on the legislative process and a proven track record of advancing LGBTQ+ rights. As Executive Director, Dashow will help steer the Caucus’s work promoting LGBTQ+ equality, supporting members of Congress, and coordinating outreach to outside organizations.

Dashow most recently served as a professional staff member for the House Committee on the Judiciary where he worked on a range of topics including LGBTQ+ rights and equality, disability rights, voting rights, reproductive rights, racial justice, unlawful evictions, campaign finance, and church-state issues. Dashow worked closely with Judiciary Committee Chair Jerrold Nadler (NY-10) on the successful committee consideration of the Equality Act in both the 116th and 117th Congresses. Before his tenure with the House Judiciary Committee, Dashow worked for multiple years in advocacy at the Human Rights Campaign as a Policy Assistant, Policy Coordinator, and Federal Policy Manager.

“I am excited to welcome Jordan Dashow as the next Executive Director of the Equality Caucus. I have had the pleasure of working with Jordan in his previous role with the House Judiciary Committee where he was instrumental in the successful House passage of the Equality Act in both the 116th and 117th Congresses. Jordan’s experience both on the Hill and in advocacy make him the perfect fit to guide the Equality Caucus as we confront the onslaught of anti-LGBTQ+ legislation from conservative state legislatures across the country. I am looking forward to working with him in this new role to advance LGBTQ+ equality here in the United States and abroad,” said Congressman David N. Cicilline, Chair of the Congressional LGBTQ+ Equality Caucus.

“I also want to acknowledge our outgoing Executive Director, Shawn Gaylord, for his dedicated service to the LGBTQ+ Equality Caucus over the last 3 years. We thank Shawn for bringing his expertise on LGBTQ+ issues and advocacy to the Hill while navigating the Caucus through the peak of the COVID pandemic. With Shawn’s leadership, we welcomed the largest-ever class of membership and advanced some of the most pro-LGBTQ+ legislation in history, including the Pulse Nightclub Memorial Bill, which was signed into law by President Biden last year. We wish him all the best in his new role off the Hill.”

Founded in 2008, the mission of the Congressional LGBTQ+ Equality Caucus is to promote equality for all, regardless of sexual orientation or gender identity. The Caucus, which is led by the nine openly LGBTQ+ members of the House of Representatives, is strongly committed to achieving the full enjoyment of human rights for LGBTQ+ people in the U.S. and around the world.

San Francisco Hosts Largest Display of AIDS Memorial Quilt in a Decade

April 19, 2022 by Guest Columnist

The National AIDS Memorial will mark the 35^th anniversary of the AIDS Memorial Quilt with an historic outdoor display in Golden Gate Park that will feature nearly 3,000 hand-stitched panels of the Quilt.

The free public event will take place on June 11 & 12 from 10 am – 5 pm each day in Robin Williams Meadow and in the National AIDS Memorial Grove. Expected to draw thousands of people, the display will be the largest display of the Quilt in over a decade and the largest-ever in San Francisco history.

“This year’s historic community display will be a beautiful celebration of life and a recognition of the power of the Quilt today as a teaching tool for health and social justice,” said National AIDS Memorial CEO John Cunningham. “The Quilt is an important reminder that the HIV/AIDS crisis is still not over and there is much work to be done, particularly in communities of color, where HIV is on the rise in many parts of the country.”

The two-day 35^th Anniversary event, presented by Gilead Sciences, will feature 350 12’x12′ blocks of the Quilt laid out on the ground, each consisting of eight 3’x 6′ individually sewn panels that honor and remember the names and stories of loved ones lost to AIDS. Visitors will be able to walk through the display to experience each panel, remember the names, and see first-hand the stories sewn into each of them. Featured Quilt blocks will include many of the original panels made during the darkest days of the pandemic and panels made in recent years, a solemn reminder that the AIDS crisis is still not over.

“The Quilt remains an important symbol of hope, activism and remembrance that reaches millions of people each year, opening hearts and minds,” said Alex Kalomparis, Senior Vice President, Gilead Sciences, a long-time partner of the Quilt and its programs. The company provided a $2.4 million grant to the National AIDS Memorial in 2019 to relocate the Quilt from Atlanta back to San Francisco. “Through community displays such as this, the Quilt is connecting the story of HIV/AIDS to the issues faced by many people today, touching their lives in a very personal, compelling way.”

An opening ceremony and traditional Quilt unfolding will start at 9:30 am on the 11^th, followed by the continuous reading of names of lives lost to AIDS aloud by volunteers, dignitaries, and the public on both days. There will be panel-making workshops, community information booths, stories behind the Quilt, displays of memorabilia, and the ability for the public to share their personal Quilt stories. Volunteer opportunities and community/corporate partnerships are available. The public is also invited to bring new panels that can be displayed in a special area to become part of the Quilt.

More than 100 new panels will be seen for the first time at the San Francisco display. Many of them were made through the Memorial’s Call My Name panel-making program, which helps raise greater awareness about the impact of HIV/AIDS in communities of color, particularly in the South, where HIV rates are on the rise today. Panel-making workshops are organized around the country, working with church groups, quilting guilds and AIDS service organizations to continue the Quilt’s 35-year legacy of bringing people together and to serve as a catalyst for education and action by pulling the thread from then to now for justice.

“The AIDS Quilt has always been an important part of Glide Memorial Church and many Black churches around the country. Throughout the years, we have made panels and displayed them from the pulpit as a backdrop to worship, with parishioners calling, singing, and preaching their names,” said Marvin White, Minister of Celebration at Glide. “We are honored to be a community partner of this historic display, to celebrate their lives and to share their stories so future generations always remember.”

According to the latest Centers for Disease Control and Prevention data, while new HIV infections in the U.S. fell about 8% from 2015 to 2019, Black and Latino communities — particularly gay and bisexual men within those groups — continue to be disproportionately affected. In 2019, 26% of new HIV infections were among Black gay and bisexual men, 23% among Latino gay and bisexual men, and 45% among gay and bisexual men under the age of 35. African American and Hispanics/Latinos account for the largest increases in new HIV diagnoses, 42% and 27% respectively. Disparities also persist among women. Black women’s HIV infection rate is 11 times that of white women and four times that of Latina women. Racism, HIV stigma, homophobia, poverty, and barriers to health care continue to drive these disparities.

The first panels of the Quilt were created in June of 1987 when a group of strangers, led by gay rights activist Cleve Jones, gathered in a San Francisco storefront to document the lives they feared history would forget. This meeting of devoted friends, lovers and activists would serve as the foundation for The NAMES Project AIDS Memorial Quilt. Each panel made was the size of a human grave and they saw the Quilt as an activist tool to push the government into taking action to end the epidemic.

“What started as a protest to demand action turned into a national movement that served as a wake-up call to the nation that thousands upon thousands of people were dying,” said Jones. “Today, the Quilt is just as relevant and even more important, particularly in the wake of Covid-19, and the fact that the struggles we face today that result from health and social inequities are the issues we will face again in the future if we don’t learn from the lessons of the past.”

That year, the nearly 2,000 panels of the Quilt traveled to Washington, D.C. for its first display on the National Mall. It then traveled to several cities, including a large display at the Moscone Center in San Francisco to raise funds for AIDS service organizations.

Today, the Quilt, considered the largest community arts project in the world, is under the stewardship of the National AIDS Memorial and has surpassed 50,000 individually sewn panels with more than 110,000 names stitched into its 54 tons of fabric. The Quilt continues to connect the history of the AIDS pandemic to the ongoing fight against stigma and prejudice through hundreds of community displays around the country and educational programs that reach millions of people each year. In 2021, an outdoor Quilt display system was constructed in the National AIDS Memorial Grove, located in Golden Gate Park, which allows for regular outdoor displays.

“Golden Gate Park has long been a place where history is made and where people come together for change, to heal and express themselves,” said Phil Ginsburg, general manager of the San Francisco Recreation and Park Department. “The National AIDS Memorial is an important part of that history, and we are honored to be part of this event that will bring thousands of people to our beloved park to honor a national treasure.”

A special web page at www.aidsmemorial.org has been created for the public to plan their visit to see the display that will be updated regularly with the latest details and information about this historic event.

SOURCE The National AIDS Memorial